Meteoriten Apokalypse Aus Dem All Wikipedia
| Meteor | |
|---|---|
 Theatrical release poster | |
| Directed by | Ronald Neame |
| Screenplay by | Stanley Mann Edmund H. North |
| Story by | Edmund H. Due north |
| Produced by | Arnold Orgolini Theodore R. Parvin Run Run Shaw |
| Starring |
|
| Cinematography | Paul Lohmann |
| Edited by | Carl Kress |
| Music by | Laurence Rosenthal |
| Production | Meteor Joint Venture |
| Distributed past | American International Pictures |
| Release date |
|
| Running fourth dimension | 107 minutes |
| Countries | United States Hong Kong[ane] |
| Language | English |
| Budget | $sixteen 1000000[2] or $xv.4-17 million [3] |
| Box office | $8.4 million (domestic) or $4.2 million (US rentals)[three] |
Shooting star is a 1979 science fiction disaster film directed by Ronald Neame, and starring Sean Connery and Natalie Wood. The movie'due south premise, which follows a grouping of scientists struggling with Common cold War politics afterwards an asteroid is detected to be on a collision course with Earth, was inspired by a 1967 MIT report Project Icarus.[4] [5] The screenplay was written past Oscar winner Edmund H. North and Stanley Mann.
The international cast also includes Karl Malden, Brian Keith, Martin Landau, Trevor Howard, Joseph Campanella, Richard Dysart and Henry Fonda. The film was a box office flop and received negative reviews,[6] only it was nonetheless nominated for an Academy Award for Best Audio.
Plot [edit]
After the asteroid Orpheus in the Asteroid Belt is hit past a comet, dozens of asteroid fragments are sent on a collision class towards Globe, along with a five-mile fragment which volition cause an extinction-level result. While the United States government engages in political maneuvering, the smaller asteroid fragments preceding the primary body wreak havoc on the planet, revealing the threat. The United States has a hole-and-corner orbiting nuclear missile platform satellite named Hercules, which was designed by Dr. Paul Bradley (Sean Connery). It was intended to defend Earth against a threat like Orpheus, simply instead was commandeered by the U.Southward. Military to become an orbiting weapon now aimed at the Soviet Union. After many calculations, information technology is determined that the 14 nuclear missiles on lath Hercules are not plenty to finish the asteroid.
The United states of america has known that the Soviet Union also has a similar weapons satellite chosen Peter the Great in orbit, with its sixteen nuclear warheads pointed down at the Usa. Needing the boosted firepower to stop Orpheus, the President (Henry Fonda) goes on national tv set and reveals the existence of Hercules, explaining it was created to meet the threat that Orpheus represents. He also offers the Soviets a risk to salvage face past announcing they, besides, had the aforementioned program and their own satellite weapon. To coordinate the counter-try between the two countries, Bradley requests a Soviet scientist named Dr. Alexei Dubov (Brian Keith).
Bradley and Harry Sherwood (Karl Malden) of NASA meet at the command center for Hercules, located beneath 195 Broadway in Lower Manhattan. Major General Adlon (Martin Landau) is the commander of the facility. Dubov and his interpreter Tatiana Donskaya (Natalie Forest) arrive, and Bradley gets to work on breaking the ice between them. Since Dubov cannot admit the existence of the Soviet device, he agrees to Bradley'south proposal that they work on the "theoretical application" of how a "theoretical" Soviet space platform's weapons would be coordinated with the American platform.
Meanwhile, more meteorite fragments strike Earth (one within Siberia), and the Soviets finally agree to join in the effort. Both satellites are coordinated, and turned towards the incoming large asteroid equally smaller fragments keep to strike the planet, causing great damage, including a mortiferous avalanche in the Swiss Alps and a tsunami which devastates Hong Kong. With hours remaining prior to Orpheus' touch on, as planned, Peter the Cracking 'due south missiles are launched first because of its relative position to the asteroid, with Hercules 'due south missiles timed to be fired 40 minutes subsequently.
Immediately prior to Hercules 'southward missiles existence launched, a splinter fragment is discovered to be heading towards the command center in New York City. If the eye is destroyed, Hercules will not be able to launch. With seconds to spare, Hercules receives the signal to burn from the command center, and launches its missiles. The splinter impacts the city, destroying the pinnacle half of the Globe Trade Centre twin towers in a direct hit, and creating a large crater in Central Park. Several workers inside the control centre are killed when the facility is partially destroyed by the collapse of the building to a higher place, and the survivors are forced to piece of work their way out of the control eye by going through the New York subway system, which becomes a trap due to water from the East River flooding the tunnels. Meanwhile, the two flights of missiles link up into three successively larger waves. The Hercules coiffure reaches a crowded subway station and waits while others try to dig them out.
Eventually, the missiles attain the meteoroid. The first moving ridge of missiles strikes the rock, causing a pocket-sized explosion, the second wave follows with a larger blast, and the third wave creates an enormous explosion. When the dust clears, the asteroid appears obliterated. In New York Metropolis, the radios broadcast the good news: Orpheus is no longer a danger to Earth. Just then, the subway station occupants are rescued.
Later, at an drome, Dubov, Tatiana, Bradley and others exchange goodbyes before Dubov and Tatiana depart on a airplane for the Soviet Matrimony.
Cast [edit]
- Sean Connery every bit Dr. Paul Bradley
- Natalie Wood as Tatiana Donskaya
- Karl Malden as Harry Sherwood
- Brian Keith as Dr. Alexei Dubov
- Martin Landau as Full general Adlon
- Trevor Howard as Sir Michael Hughes
- Richard Dysart every bit Secretary of Defense
- Henry Fonda as The President
- Joseph Campanella as General Easton
- Bo Brundin equally Rolf Manheim
- Roger Robinson as Bill Hunter
- Michael Zaslow as Sam Mason
- Bibi Besch as Helen Bradley
- Sybil Danning as Girl Skier
Production [edit]
Theodore R. Parvin received the idea for the story from a Saturday Review commodity by Isaac Asimov about a meteor hitting a major city in the United States. Parvin hired Edmund H. North to write the screenplay, who took farther inspiration from the Massachusetts Institute of Technology's Projection Icarus. However, Ronald Neame and Sean Connery disliked both Northward's script and a rewrite by Steven Bach, and so hired Stanley Isle of mann to completely re-write the screenplay. This led to a Writers Guild of America dispute over whether North should be credited as a co-writer.[7]
During the writing of the North's first draft, Parvin secured financing and investment from the Shaw Brothers Studio, Warner Bros. Pictures, Nippon Herald Films, and American International Pictures.[7] The moving picture was an American International Pictures co-production with the Shaw Brothers Studio in British Hong Kong.[8] $2.vii million of the budget came from AIP.[nine]
Neame cast Natalie Wood as Tatiana considering she was the daughter of Russian immigrants, and she worked with George Rubinstein to perfect a Leningrad emphasis. Alec Guinness, Yul Brynner, Rod Steiger, Maximilian Schell, Peter Ustinov, Eli Wallach, Goggle box Savalas, Theodore Bikel, Richard Burton, and Orson Welles were each considered for the office of Dr. Dubov. Donald Pleasence was cast for the role, and filmed a few scenes as the graphic symbol. Still, he had to depart the production in gild to work on Sgt. Pepper'southward Lone Hearts Club Ring. He was replaced by Brian Keith, who had been cast as Full general Adlon and was replaced in that role past Martin Landau.[7]
Main photography took identify from Oct 31, 1977 to January 27, 1978, mainly at MGM Studios in Culver City, California with some location filming in Washington, D.C., St. Moritz, Switzerland and Hong Kong.[vii] The release date was scheduled for June fifteen, 1979, simply information technology was pushed back to October nineteen due to special furnishings reshoots later the special effects director Frank Van der Veer was fired. Van de Veer'southward entire piece of work discarded and William Cruise and Margot Anderson were hired to reshoot the special effects. They were also fired and replaced past Paul Kassler and Rob Balack just two months before the film'south release. In order to consummate the film on fourth dimension, Kassler and Balack simply re-used footage from the 1978 disaster picture Avalanche. The film was also originally supposed to receive a score by John Williams.[7]
Reception [edit]
Meteor was received poorly past critics. In her New York Times review, Janet Maslin chosen the film "standard disaster fare", calculation that "the suspense is sludgy and the graphic symbol development zero".[10] Factor Siskel of the Chicago Tribune gave the motion picture ane.five stars out of four and wrote, "Let's confront information technology, the bottom line on a disaster film is how special are its special effects. With 'Meteor,' the respond is not very. The big shooting star in the picture, hurtling toward Earth at 30,000 miles an hour, looks like something I recently constitute at the lesser of my refrigerator — dark-green bread."[eleven] Multifariousness called the interim "uniformly good" simply the "principals mostly stand up around waiting for the next cataclysm to happen ... What actually matters to audiences for this kind of moving picture, of course, is not the acting, only the visuals, and hither, 'Meteor' gets good, but not slap-up, grades."[12] Charles Champlin of the Los Angeles Times wrote that "confronting its own odds, it is—for what information technology intends to be—uninspired but competent, efficient, commercial and entertaining, with some random moments that are very dainty indeed."[13] Judith Martin of The Washington Mail service called it "your standard 'My God — here information technology comes!' job, for those that like that sort of thing."[14] John Pym of The Monthly Pic Bulletin wrote, "Every bit effects get, and effects rather than surprises (or whatever real plotline) are what the producers have banked on, Shooting star looks decidedly old-fashioned and second-hand."[15] Telly Guide writes- "An $xviii million, star-studded disaster film, which in itself is a major disaster."[xvi]
On Rotten Tomatoes the film has a rating of 5% based on 19 reviews, with the site's consensus being "Shooting star is a flimsy moving picture with too much tedious dialogue and not plenty destruction. At least the pinball game is decent."[17]
Curiosity Comics published a comic book adaptation of the flick by author Ralph Macchio and artists Cistron Colan and Tom Palmer in Marvel Super Special #14.[18] [xix]
Samuel Z. Arkoff chosen Meteor the nearly difficult production ever undertaken by American International Pictures due to the loftier production, special effects, and marketing costs. Afterwards the film flopped, the studio was forced to enter negotiations for a buyout from Filmways.[7]
Accolades [edit]
At the 52nd University Awards in 1980, the film was nominated for the Academy Award for Best Sound (William McCaughey, Aaron Rochin, Michael J. Kohut and Jack Solomon).[20] Information technology lost to Apocalypse Now.
Scientific basis [edit]
A voiceover at the cease of the film mentions "Project Icarus", a report on the concept to use missiles to deflect an earthbound asteroid.[21] The original Project Icarus was a educatee project at M.I.T. in a systems engineering course led by Professor Paul Sandorff in the Leap 1967.[4] It examined methodologies that could deflect an Apollo asteroid named 1566 Icarus if it was establish to be on a collision course with Earth. Time published an article almost the research in June 1967.[22] The results of the student reports were published in a volume the following year.[4] [23]
Run into besides [edit]
- Asteroid impact avoidance
- Armageddon (1998)
- Deep Impact (1998).
- Meteor (2009), a four-hour two-office miniseries.
References [edit]
- ^ a b Craig, Rob (15 Feb 2019). American International Pictures: A Comprehensive Filmography. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. p. 255. ISBN9781476635224 . Retrieved twenty February 2020.
- ^ Lee, Grant (May 29, 1978). "Buried Alive--in the Line of Duty". Los Angeles Times. p. f5.
- ^ a b Epstein, Andrew (Apr 27, 1980). "THE Big THUDS OF 1979--FILMS THAT FLOPPED, Desperately". Los Angeles Times. p. o6.
- ^ a b c Kleiman Louis A., Project Icarus: an MIT Student Project in Systems Engineering Archived 2007-10-17 at the Wayback Machine (M.I.T. Report No. 13), Cambridge, Massachusetts: MIT Printing, 1968; reissued 1979
- ^ "MIT Course precept for movie", The Tech, MIT, October xxx, 1979
- ^ "REVIEW: "Shooting star" (1979)". www.cinemaretro.com. Retrieved August viii, 2018.
- ^ a b c d e f "Meteor – History". AFI Catalog of Characteristic Films. American Film Institute. Retrieved May ten, 2019.
- ^ Cohen, Jerry; Soble, Ronald L. (July 2, 1978). "'Falling star'--How a Movie Came to Exist: HOW 'Falling star' BECAME A MOVIE A Movie Is Built-in; a Meteor Is the Star A Meteoric Idea Becomes a Moving-picture show Flick-MAKING". Los Angeles Times. p. a1.
- ^ "Cohen, Jerry; Soble, Ronald L.; Moving picture Casting: Finding the 'Horse for the Form': Casting: High Stakes Gamble Assembling 'Meteor' Cast: Ticklish Job in a Multimillion-Dollar Moving-picture show Project CASTING FOR MAJOR FILM--WAGERING IN MILLIONS CASTING FOR Picture show CASTING FOR High-Toll Picture". Los Angeles Times. 4 July 1978. p. a1.
- ^ Maslin, Janet (October nineteen, 1979). "Screen: 'Meteor,' a Disaster Tale, Opens: Menace from the Blue". The New York Times . Retrieved July ix, 2017. [ dead link ]
- ^ Siskel, Gene (October 22, 1979). "Effects aren't special, so 'Meteor' falls". Chicago Tribune. Section 2, p. vi.
- ^ "Motion-picture show Reviews: Shooting star". Diversity. October 17, 1979. ten.
- ^ Champlin, Charles (Oct 19, 1979). "'Meteor': Shot at the Screen". Los Angeles Times. Office 4, p. 22.
- ^ Martin, Judith (October 26, 1979). "'Meteor': Disasters From Many Stars". The Washington Mail. Weekend, p. 31.
- ^ Pym, John (January 1980). "Shooting star". The Monthly Film Bulletin. 47 (552): 9.
- ^ Meteor at Tv set Guide
- ^ "Falling star". Rotten Tomatoes . Retrieved May 10, 2019.
- ^ "Marvel Super Special #14". Grand Comics Database.
- ^ Friedt, Stephan (July 2016). "Marvel at the Movies: The House of Ideas' Hollywood Adaptations of the 1970s and 1980s". Dorsum Outcome!. Raleigh, North Carolina: TwoMorrows Publishing (89): 62.
- ^ "The 52nd University Awards (1980) Nominees and Winners". oscars.org . Retrieved 2011-10-07 .
- ^ "Behemothic bombs on behemothic rockets: Project Icarus". The Space Review. July five, 2004.
- ^ "Systems Engineering: Fugitive an Asteroid". Fourth dimension. June xvi, 1967. Archived from the original on Feb 24, 2007.
- ^ "Review:Project Icarus". 1968.
External links [edit]
- Meteor at IMDb
- Meteor at the TCM Picture show Database
- Shooting star at AllMovie
Source: https://en.wikipedia.org/wiki/Meteor_(film)
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